setting the table
tell a little 'the path to this shortlist reasoned
Starting again ... I had already finished writing a little problem when I used to write the application that made me lose it all ... even guys like me, fairly sailed in things digital, are not excluded by mishaps of this kind. Motivated by the call to
Adriano Bimbi, which should soon come to Brazil to deal with the opening of an art school in Joinvile, Santa Catarina, I undertook to write a brief commentary on the state of the art shortlisted in Brazil. In this intention I glimpsed an interesting thesis ... love and passion of many Brazilian artists dear to me, to the poetic technique.
In this short guide I try to explain my vision on the art Brazilian geared primarily on a key type of social and anthropological as well as what I first called the 'poetic technique'. Perhaps to explain this vision I wrote about my current projects, many of them marked on the technique and its tools [ my current projects ].
Internet and social networks with thousands of images of artists, photographers, illustrators, etc.. and you could say that Flickr, now surely is the first stretch of more rational images of the world. Already
Facebook, I find it useful to know and get in touch with artists and institutions, often also present in Flickr, but in a more easy and simple. Twitter and LinkedIn are useful to convey ideas, works and also get in touch with the professionals of (applied or not).
Many years ago (1986 maybe ...), I was still at the academy and I had an interesting discussion with Yuji, who was himself a student of Children, about art and its tools could evolve ... I remember talking about an artist working with light [ Picasso ] ... I like to think today and how things a bit 'are similar to what we discussed. Since returning to Brazil in 2008, this idea I have indicated a possible area of \u200b\u200bresearch, initially just outlined in this post [ digital painter?! ], but now much better defined in a number of projects exemplified here [
digital painting projects ]. I recently did a search on the state of the art nell'Web in Brazil and I found this interesting work of Fabio Nunes. [ Web Art in Brazil ]
Brazilian Sketches on the Art History major
events
not to write something I thought had written simply to provide some references on the history of sull'web present in Brazil with some hints mine.
History of Brazil
[
version
,
Di Cavalcanti and Candido Portinari are emblematic in this sense. Indio Caboclo: African: To understand Europeu art in Brazil and the Americas, you have to deal with the social and anthropological origins of our people, the book
Darcy Ribeiro, O Povo Brasileiro "is symbolic and shows us how India, caboclo , the black man, the colonizer have shaped our culture, our traditions and customs. It is interesting to see the universe illustrations of many of our artists and many references to indigenous African culture, not only because this is a fact and yes iconographic representation of this universe mystical little understood by their artists, but that is inherent and ever present. Many times there is no need of mental processes, or studies to be part of them ... are in the air, so to speak ... For many indigenous cultures, the iconography has a divine meaning which connects the real world beyond that of the [indigenous to understand the universe that is very interesting
map]. A documentary made in the '90s by TV Cultura in Sao Paulo Brazilian universe with a key in the work of Darcy Ribeiro is a must see, unfortunately, the documentary is in Portuguese ... but in many cases the pictures tell more and so I commend the vision. I found a reference to this documentary on the internet, are divided into parts [the video "O Povo Brasileiro "].
time ago I started to think of a research on the iconography indigenous and watching some Brazilian artists see to it that directly call or contamination, the latter very common due to our syncretism ... I find that the artist Francisco Galen produces this kind of iconographic syncretism in his work [
advertisement video to Galen ].
The Xilo in the north and northeast Brazil and in the south by the "Clube da Gravure" To better understand this syncretism in praxis, we must look at the craft of the North and Northeast regions of Brazil and especially the woodcut, where many times Symbols and naif solutions do so with many of these artists, artisans are considered real artists now. I find it interesting to examine this aspect Brazilian art, primarily for improvising solutions and tools used ... in this sense much of what are the traditions and indigenous art were sent to
caboclo
(term for the ethnic group native of mixing between whites and Indians). in the internet I found a beautiful site that is the woodcut ' Northeastern
', with its teachers and some jobs have
belonging to this graphic tradition in literature Cordel [ http://100anosxilogravuranocordel. com.br / es / exposicao.html ] Lina Bo Bardi , has created a very nice collection the MASP
on craft and household utensils used in the North and Northeast of Brazil (among other things she has been the architect of the building in Sao Paulo MASP) [
timeline on google Lina Bo Bardi ]. The key to understanding this work is in the direction of symbolic syncretism, improvisation and performance of aesthetics that is formed while the artisan artist experiments with the materials and methods of creation of his works. I think the best example of this type of art is the pottery of Mestre Vitalino . the South of Brazil there was an interesting movement in the 50s to regain the figure at the moment he was on the abstract expressionist main scene of the art world and Brazilian ... has been called "Clube da Gravure " and has involved countless artists which have then the art scene of the sixties and seventies in Brazil. The artists that stand out are
Gleno
Bianchetti (1928), Gonçalves Danube (1925) and Glauco Rodrigues (1929 - 2004). To close this scenario we need to look at Oswald Goeldi [
work
] and Lasar Segall [ work], one in Belém do Pará and the other in St. Paul ... they have revived the taste for printing graphics and mainly for woodcut. Both the North and the South of Brazil and the Woodcut Linografia are widely used as a kind of "art gerrilla , easy and inexpensive to do ... I believe that this is another key to understanding certain types of art and handicrafts in Brazil, where one does with what he has in hand and in abundance in the region!
Praxis: Technique: Art Academy At the time I took an exam on the aesthetics of the art book on the poetry of Octavio Paz, "O Arco and Lira, who speaks on overcoming the technical to create the poetic ... at that time was convinced of this, and partly they are today, but in context of Brazilian art I found several of the artists who make their poetic technique and vice-versa. It is clear that a line between white and another rhyming many will choose the music for the second proportioning the rhyme several times, leaving to one side the context of the verse ... we are already in the white to the pure poetic context ... decide between a and the other, many times, the artists end up using the two methods (color, pattern x narrative, improvisation, for example). But for this to happen often in the art of the new world? Perhaps there are several reasons:
the remoteness of the old world and its influences in the art macro (schools, movements, styles, etc..)
a different vision of how to deal with the influences came from the old world, with more freedom to mix different contexts without the slightest shame, while respecting each artistic influences,
some work
Fortes Vilaça
The list of artists is purely personal and based on my research and tastes of the past three years and does not do any kind of argument quality on except ... also because they are conscious of not knowing what I do not know! ;-) tell a little 'the path to this shortlist reasoned
Starting again ... I had already finished writing a little problem when I used to write the application that made me lose it all ... even guys like me, fairly sailed in things digital, are not excluded by mishaps of this kind. Motivated by the call to
Adriano Bimbi, which should soon come to Brazil to deal with the opening of an art school in Joinvile, Santa Catarina, I undertook to write a brief commentary on the state of the art shortlisted in Brazil. In this intention I glimpsed an interesting thesis ... love and passion of many Brazilian artists dear to me, to the poetic technique.
In this short guide I try to explain my vision on the art Brazilian geared primarily on a key type of social and anthropological as well as what I first called the 'poetic technique'. Perhaps to explain this vision I wrote about my current projects, many of them marked on the technique and its tools [ my current projects ].
Internet and social networks with thousands of images of artists, photographers, illustrators, etc.. and you could say that Flickr, now surely is the first stretch of more rational images of the world. Already
Facebook, I find it useful to know and get in touch with artists and institutions, often also present in Flickr, but in a more easy and simple. Twitter and LinkedIn are useful to convey ideas, works and also get in touch with the professionals of (applied or not).
Many years ago (1986 maybe ...), I was still at the academy and I had an interesting discussion with Yuji, who was himself a student of Children, about art and its tools could evolve ... I remember talking about an artist working with light [ Picasso ] ... I like to think today and how things a bit 'are similar to what we discussed. Since returning to Brazil in 2008, this idea I have indicated a possible area of \u200b\u200bresearch, initially just outlined in this post [ digital painter?! ], but now much better defined in a number of projects exemplified here [
digital painting projects ]. I recently did a search on the state of the art nell'Web in Brazil and I found this interesting work of Fabio Nunes. [ Web Art in Brazil ]
Brazilian Sketches on the Art History major
events
not to write something I thought had written simply to provide some references on the history of sull'web present in Brazil with some hints mine.
History of Brazil
[
version
- Inglese]
- week of modern art of '22 [version
Inglese] - The influence of the Old World and the Basic Design Bauhaus
,
Di Cavalcanti and Candido Portinari are emblematic in this sense. Indio Caboclo: African: To understand Europeu art in Brazil and the Americas, you have to deal with the social and anthropological origins of our people, the book
Darcy Ribeiro, O Povo Brasileiro "is symbolic and shows us how India, caboclo , the black man, the colonizer have shaped our culture, our traditions and customs. It is interesting to see the universe illustrations of many of our artists and many references to indigenous African culture, not only because this is a fact and yes iconographic representation of this universe mystical little understood by their artists, but that is inherent and ever present. Many times there is no need of mental processes, or studies to be part of them ... are in the air, so to speak ... For many indigenous cultures, the iconography has a divine meaning which connects the real world beyond that of the [indigenous to understand the universe that is very interesting
map]. A documentary made in the '90s by TV Cultura in Sao Paulo Brazilian universe with a key in the work of Darcy Ribeiro is a must see, unfortunately, the documentary is in Portuguese ... but in many cases the pictures tell more and so I commend the vision. I found a reference to this documentary on the internet, are divided into parts [the video "O Povo Brasileiro "].
time ago I started to think of a research on the iconography indigenous and watching some Brazilian artists see to it that directly call or contamination, the latter very common due to our syncretism ... I find that the artist Francisco Galen produces this kind of iconographic syncretism in his work [
advertisement video to Galen ].
The Xilo in the north and northeast Brazil and in the south by the "Clube da Gravure" To better understand this syncretism in praxis, we must look at the craft of the North and Northeast regions of Brazil and especially the woodcut, where many times Symbols and naif solutions do so with many of these artists, artisans are considered real artists now. I find it interesting to examine this aspect Brazilian art, primarily for improvising solutions and tools used ... in this sense much of what are the traditions and indigenous art were sent to
caboclo
(term for the ethnic group native of mixing between whites and Indians). in the internet I found a beautiful site that is the woodcut ' Northeastern
', with its teachers and some jobs have
belonging to this graphic tradition in literature Cordel [ http://100anosxilogravuranocordel. com.br / es / exposicao.html ] Lina Bo Bardi , has created a very nice collection the MASP
on craft and household utensils used in the North and Northeast of Brazil (among other things she has been the architect of the building in Sao Paulo MASP) [
timeline on google Lina Bo Bardi ]. The key to understanding this work is in the direction of symbolic syncretism, improvisation and performance of aesthetics that is formed while the artisan artist experiments with the materials and methods of creation of his works. I think the best example of this type of art is the pottery of Mestre Vitalino . the South of Brazil there was an interesting movement in the 50s to regain the figure at the moment he was on the abstract expressionist main scene of the art world and Brazilian ... has been called "Clube da Gravure " and has involved countless artists which have then the art scene of the sixties and seventies in Brazil. The artists that stand out are
Gleno
Bianchetti (1928), Gonçalves Danube (1925) and Glauco Rodrigues (1929 - 2004). To close this scenario we need to look at Oswald Goeldi [
work
] and Lasar Segall [ work], one in Belém do Pará and the other in St. Paul ... they have revived the taste for printing graphics and mainly for woodcut. Both the North and the South of Brazil and the Woodcut Linografia are widely used as a kind of "art gerrilla , easy and inexpensive to do ... I believe that this is another key to understanding certain types of art and handicrafts in Brazil, where one does with what he has in hand and in abundance in the region!
Praxis: Technique: Art Academy At the time I took an exam on the aesthetics of the art book on the poetry of Octavio Paz, "O Arco and Lira, who speaks on overcoming the technical to create the poetic ... at that time was convinced of this, and partly they are today, but in context of Brazilian art I found several of the artists who make their poetic technique and vice-versa. It is clear that a line between white and another rhyming many will choose the music for the second proportioning the rhyme several times, leaving to one side the context of the verse ... we are already in the white to the pure poetic context ... decide between a and the other, many times, the artists end up using the two methods (color, pattern x narrative, improvisation, for example). But for this to happen often in the art of the new world? Perhaps there are several reasons:
the remoteness of the old world and its influences in the art macro (schools, movements, styles, etc..)
a different vision of how to deal with the influences came from the old world, with more freedom to mix different contexts without the slightest shame, while respecting each artistic influences,
- the desire to overcome the status quo traditional artistic or classic, almost always identified with things Old World
- the great American tradition (north, center and south) to the experiment.
... - In the last three years I am doing a search for artists that interest me mainly from the point of view of poetry and passion for their techniques, this is an annotated list of these artists:
- Maria Bonomi
some work
- Epopéia Paulista Praise to Xilo ] artist Maria Bonomi is very busy on various fronts of the art, including those of public art, I recently saw a great panel called Epic of San Paolo the Estação da Luz
-
Beatriz Milhazes
- Milhazes I have known the work of the recently ... I saw a documentary about her and I am intrigued by his work. She is a painter who exhibited with much humility its methodology and is not afraid of the secret. His paintings and panels exploring the world of paradise lost brasiliensis ... very nice it was his show at the gallery Estação da Luz in 2008 [ video about the exhibition].
- Tomie is a reference in the art of our country ... belongs to the current informal abstract art. His public works are emblematic, I really like the mosaics to the metro station of Saint Paul, Consolação [ video mosaics ].
- long time ago I saw Senise interventions with evidence of rusting nails done on white canvas and I am charmed by the ability to reinvent things and simple methods and use them creatively. This seems a constant in many of our own artists ... and maybe I repeat myself a bit 'too ;-)
-
Denise Milan
- I met her in person a few years ago ... my uncle Antonio was his assistant in the '90s. She is an artist in implementing multiple environments and I find his work very poetic, intelligent and well-made interventions solved in terms of technical and conceptual.
-
graphites San Paolo
- In Sao Paulo as in any modern city in the world the graphite is present ... I find it interesting to many of the urban projects of this kind of art ... and increasingly we have to deal with this way of interacting with the city. Recently I was able to follow some interviews urban artist couple, are the twins Pandolfo ... I find their work very much inspired and sui generis.
- , really beautiful in concept and execution, obviously in love with her fine-art and primarily for the Xilo.
Fortes Vilaça
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