Friday, November 26, 2010

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Earth who m'infroris in CORU

photo of Joseph Seddon ( www.giuseppesedda.i t)
of ANNA CHRISTINE SERRA

strìngiu Earth who is in manus
and who m'infroris in CORU
that acinnu de beranus,
Dromme notesta Puru Acanta mine.
T'ap's a contai
contu su 'e is mariposas
tzàchidu chi cun d'unu' i at
bonu su mudant in Tempus.
Drommi, ca a to scida no isciu
siat in cali 'll
is Terras de po is murus arrutus
of m'est in poderi a connosci' su Meri 'e in Luxi. ;
Drommi, ca in zoo sonnu
un'araxi border s'at to nai
cantu mariposas cumbidai
a crossroads 'in our domu.
E deu Puru, ap'essi'
contu unu unu a tzàchidu 'arax
de murus arrutus,
or pipia
who contactor cantu braxas
abarrant allutas in sa forredda
bit about who Fogu
no yes ndi mroxat
aintru 'are known.


FLOWERS IN THE LAND THAT MY HEART

Land I hold in my hands / and which blooms in my heart / as a prelude of spring, / even sleep tonight beside me. / I'll tell you / the story of the butterflies / and with a wing-beat / turn in good time. / Sleep, wake up because I do not know / the way / to the Land of walls fallen, / Nor in my power to know / the Lord of Light. / Go to sleep, because sleep / a breeze free will tell / ask how many butterflies / to live in our home. / And I'll be / fable / beats / a breeze / of fallen walls, or a child / that counts how many coals / remain lit in the fireplace / because / fire does not turn off / on the night.

Monday, November 22, 2010

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Last week there were conflicting implications for the international indices. The market correction was triggered by China and the peripheral countries of the Euro. The market has seen alternating positive steps to fix more or less marked, on the whole, however, has not changed the technical way in significant. A correction of physiological therefore justified by an increase that lasts without interruption for ten weeks. Among the most profitable markets, he points out, for once, the Nikkei, able to recover enough to return to positions far above 10000 points. The Dax, however, maintains its strength by setting the best performance among the European markets, the worst, however, it is Italy. The reason lies in the weakness of the Italian banking sector, the sector this week showing a -1.6%.

On the bond market, new week of price reductions, especially in Europe in the wake of the Irish crisis. Riamane yet to be seen what impact the crisis will mainly Irish on weaker countries, Spain and in Portagallo primis.I two countries are so vulnerable because Ireland whose banking system has recently increased its dependence on the European Central Bank.

Even the raw materials have yielded more ground this week in response to tightening monetary policy of China (which has increased by half the ratio of reserve requirements for banks), their performance will be heavily influenced by the ability of China to curb the inflationary spirals without compromising economic growth. This week also gold and oil have moved in corrections.

Thursday, November 18, 2010

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Alcinema & inlibreria: Review the film "Bright Star" by Jane Campion

"Bright Star" (United Kingdom, France, 2009)

Director: Jane Campion
Cast: Ben Whishaw (John Keats), Abbie Cornish (Fanny Brawne), Paul Schneider (Charles Armitage Brown).
The film poster
Plot: E campaigns against the backdrop of London in 1818 that blooms the troubled love story of John Keats and Fanny Brawne. He, poet twenty-three, guest and friend of Brown, and economic conditions in
little wealthier. She, of good family and a neighbor of Brown with a passion for fashion and fashionable salons goers. The first impression of the young poet, who sees the Brawne initially as a shallow, rapidly changing, especially since the interest that Fanny shows, taking to heart the situation of the young brother of Keats, Thomas, grevemente ill. After Fanny Keats asked to teach the art of poetry, the two begin dating. This produces a profound and indissoluble love story. Nothing can weaken this bond, on the contrary, it is becoming stronger. Only a dramatic and unstoppable incomplete benza forces the lovers apart.

Comment: The choice of director and to bring back a very particular view of the short life of poet John Keats, where the poet lived a passionate and tormented love affair. And the link will die, undermined by so many difficulties, the latter of which is impossible to escape. The economic Keats does not seem to be an obstacle in the eyes of Fanny Brawne, played by a brilliant Abbie Cornish. His deep love always manages to look beyond these barriers affecting
but Keats, who seems to be more anchored to the ground and look more consciously to their situation. Although the adverse circumstances of life osteggino to separate the two lovers finally, their love endures and lives, then as today, in their place. Features not new in the style of Campion, who with the focus on female characters in his films, seems to reveal some feminist stance. The Campion makes the events to alternate the rhymes of the poet of love so that all proceed almost like a ballad. And the title of one of these rhymes and resumed the title of the film: Bright Star (Star Light), poem dedicated to his beloved Fanny.
SARA DEIDDA

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Alcinema & inlibreria: Review of the film "Agora" by Alejandro Amenabar

"Agora" (Spain, 2009)

Director: Alejandro Amenabar
Cast: Rachel Weisz (Hypatia) Max Minghella (Davo), Ashraf Barhom (ammonium).
Production: Mod Producciones
The film poster

Plot: The story revolves around the character of Hypatia, scientist of Alexandria, which defends science from the attack of old and new religions , in particular of Christianity, of its aggressive and popular culture believes in a philosophy that pursues the ideal of search without dogmas. Another character in the movie and Davo, and disappointed in love slave, who is a freedom that will prove ephemeral, and its relationship with the Hypatia will be essential to the dramatic finish.

Comment: Agora and a movie complex and less schematic as it may seem at first sight. Hypatia's story becomes that of classical culture, destined to be swept away by religious intolerance. Emblematic in this regard and the scene of the destruction of the library of Alexandria, in which are enclosed in a single episode of centuries of looting and destruction: Christians in the film are mostly of the fanatics and the Taliban in advance of almost two thousand years, but in reality represent paradigmatically intolerance and dogmatism. Their cry of the Nazis and the same: "God with us": the name of God, and often appointed to no avail. But Christianity represented in the film and also capable to provide hope to the slaves to free themselves from the chains of food to the hungry, and Amenabar, director of great value here in its sixth film, shows us all the power of the new religion to attract the humble, those who have little hope and looking for something to hold onto. The director seems to be indignant at the way in which the teachings of Christ were rejected, at the time of Hypatia as today. Forgiveness is a word unknown to the mass of angry Christians while only the end and showed us a gesture of piety: Davo, to avoid further suffering of the woman he loved, and choked before being stoned by his fellow Parabolan. The pity and also to Amenabar, who distorts history (actually Hypatia was torn to pieces and parts of his body was publicly exposed as a threat and then burned along with the waste) to provide a dignified end to his heroine. Her look is polished, as in the shots from where it seems almost violent behavior of men refer to a divine sight, as if God hotel in the stars, in the depths of the universe, but no longer in humans. ;
OF ROBERTO LAI